compositions
Large Ensemble:
fragrances of something sweet (2025)
for orchestra [2.2.2.2/4.3.3.1/2perc/pno/hp/str]
written for the University of Michigan Philharmonia Orchestra
duration: 6’
shuffle (2024)
two dance pieces for symphonic band
commissioned by a consortium of twenty-four ensembles and individuals led by TJ Mack and the Illinois State University Symphonic Band
duration: 8’
metaphors (2022)
for chamber orchestra [2.2.2.2/2.2.0.0/2perc/hp/str]
duration: 6’
Vocal:
[new work] (2026)
commissioned by the George Shirley Vocal Competition
duration: 12’
anti-metamorphosis (2025)
for sopano, flute, trombone, viola, double bass, percussion, and piano
written for the 2025 Composers Conference
duration: 12’
cicadian rhythms (2025)
for mezzo-soprano and piano
commissioned by New Music Chicago for the Ear Taxi New Music Festival
duration: 9’
the remote hunger of droning things (2025)
for baritone and piano
commissioned by the National Association of Teachers of Singing Inc. and the Cincinnati Song Initiative
duration: 5’
corner motel mercy (2024)
for soprano and piano
duration: 6’
Electronic:
lines, shapes, angles (2025)
for bass clarinet, violin, cello, piano, and fixed media
written for the Collaborative Composition Initiative
duration: 5’
Chamber (2-5 Players):
CLEAVE//SPLIT (2026)
for double bass and percussion
commissioned by the Terracotta Duo
duration: 7’
rats, snakes, weasels (2025)
for string quartet
written for The Rhythm Method for the 2025 Lake George Music Festival
duration: 7’
sketch, scribble, scrawl (2025)
for clarinet, violin, and marimba
written for the Ascendant Trio
duration: 9’
gossip, whispers, and other drama (2024)
for soprano saxophone and alto saxophone
commissioned by Lati2de
duration: 7’
wrong side of the street (2024)
for soprano saxophone, bassoon, percussion, and piano
written for \newline
duration: 9’
splash, splatter, spill (2024)
for two improvising percussionists
written for Xin Yi Chong
duration: 13’
false light (2023)
for string quartet
written for the JACK Quartet
Duration: 16’
embers, cinders, ash (2022)
for clarinet, violin, cello, and piano
written for the Unheard-Of//Ensemble
Duration: 12’
Solo:
the places we go (2025)
for solo alto saxophone
commissioned by Harry Xie
duration: 9’
semi-psychosis (2025)
for solo alto flute and dance
written for the Collaborative Composition Initiative
duration: 5’
shouting something vulgar (2024)
for solo alto saxophone
written for Noah Stoker
duration: 7’
introvert language (2024)
for viola and piano
written for the Suncoast Composer Fellowship Program
duration: 8’
the dark paradise (2021)
for solo clarinet
duration: 9’
wrong side of the street (2024)
for soprano saxophone, bassoon, percussion, and piano (9’)