Orchestral and Large Ensemble (+8 Musicians):
fragrances of something sweet(2025), for orchestra (2.2.2.2 - 4.3.3.1 - 2perc - pno.hp - str) or chamber orchestra (1.1.1.1 - 1.1.1.0 - 2perc - hp - str), ca. 6 minutes.
Written for and premiered by the University of Michigan Philharmonia Orchestra, conducted by Kendra Chao at Hill Auditorium, Ann Arbor, MI, February 2025.
Subsequent performances include the American Composers Orchestra, conducted by Jeffery Meyer, New York, NY, June 2026 (upcoming, two performances); and the Pacific Chamber Orchestra, conducted by Lawrence Kohl, Livermore, CA, October 2025
shuffle(2024), for symphonic band, ca. 8 minutes
Commissioned by a consortium of twenty-four symphonic bands led by Illinois State University. Premiered by the Illinois State University Symphonic Band, conducted by TJ Mack in Normal, IL, November 2024.
Select subsequent performances include the Libertyville High School, Adam Gohr, Ann Arbor, MI, April 2026 (upcoming); University of Illinois, Kim Fleming, Urbana, IL, October 2025; Eastern Michigan University, J. Nick Smith, Ypsilanti, MI, October 2025; Robert Morris University, Brian Harris, Moon Township, PA, May 2025; Saginaw Valley State University, Norm Wika, Saginaw, MI, April 2025; Southern Oregon University, Alex Gonzalez, Ashland, OR, March 2025; Oakland University, Pam Klena, Rochester, MI, February 2025; and Oklahoma Baptist University, Timothy Kaiser, Shawnee, OK, Dec. 2025
metaphors(2024), for chamber orchestra (2.2.2.2 - 2.2.0.0 - 2perc - hp - str), ca. 6 minutes. Premiered by One Found Sound in San Francisco, CA, April 2025.
Electronic, Multimedia, and Interdisciplinary Works:
so far away (2025), for solo trombone, electronics, and video, ca. 3 minutes.
Written for New Music Mosaic. Premiered by Mikayla Frank-Martin in Boston, MA, November 2025.
like a dream slowly forgotten (2025), for alto saxophone, e.guitar, percussion, accordion, and fixed electronics, ca. 11 minutes.
Written for and premiered by Hypercube Ensemble as part of their CubeLab program in New York, NY, November 2025.
Subsequent performance include Hypercube Ensemble, New York, NY, November 2025
excentric kinetics (2025), for clarinet, violin, cello, piano, and fixed electronics, ca. 6 minutes
Written for and premiered by Unheard-Of//Ensemble as part of CCI in San Antonio, TX, August 2025
Subsequent performances include Unheard-Of//Ensemble, Athens County, OH, November 2025; Unheard-Of//Ensemble, Obelrin, OH, November 2025; Unheard-Of//Ensemble, New York, NY, November 2025
somethinglikeasillylittlelovesong (2025) for fixed media electronics and choreography, ca. 6 minutes
Written for and premiered by PART-Ensemble as part of CCI in San Antonio, TX, August 2025. Choreography by Jennie Boultbee and Mateusz Bogdanowicz.
Solo Works:
shouting something vulgar(2024), for solo alto saxophone, ca. 7 minutes
Written for and premiered by Noah Stoker in Memphis, TN, October 2024.
Subsequent performances include Noah Stoker, Ann Arbor, MI, February 2026 (upcoming); Noah Stoker, Fairfax, VA, January 2026; Noah Stoker, Ann Arbor, MI, April 2025; and Noah Stoker, Ann Arbor, MI, March 2025
the dark paradise(2021), for solo clarinet, ca. 9 minutes.
Premiered by Freda Hogan in Normal, IL, April 2022.
Subsequent performances include Berginald Rash, Dublin International Chamber Music Festival, Dublin, Ireland, June 2024; Sarah Manasreh, International Clarinet Association New Music Weekend, Virtual, October 2022; Sarah Manasreh, Stevens Point, WI, May 2022
Vocal Works:
the interlocking of hands(2025), for solo soprano voice and small ensemble (fl - trb - vla - cb - perc - pno), ca. 17 minutes.
Written for the Composers Conference. Premiered by the Conference Ensemble, conducted by Matilda Hofman, in Boscawen, NH, August 2025.
Text: Spring Night by Sara Teasdale
cicadian rhythms (2025), for mezzo-soprano voice and string quartet, ca. 10 minutes
Commissioned by New Music Chicago for the Kaia String Quartet. Premiered by Grace Ryan, voice, and the Kaia String Quartet in Evanston, IL, October 2025.
Text: Cicada’s Cry by Matsuo Basho
the remote hunger of droning things(2025), for baritone voice and piano, ca. 6 minutes
Commissioned by the National Association of Teachers of Singing, Inc. and the Cincinnati Song Initiative, with major support from Lori Laitman. Premiered by Andrew Hallam, voice, and Calvin Stovall, piano, in Cincinnati, OH, June 2025
Text: Altitude by Lola Ridge
corner motel mercy(2024), for soprano voice and piano, ca. 5 minutes
Premiered by Nicole Knorr, voice, and Davis Reinhart, piano, in Ann Arbor, MI, April 2024
Text: Corner Motel Mercy by Diepreye.
Subsequent performances include Nicole Robinson, voice, and Muse Ye, piano, George Shirley Vocal Competition, Ann Arbor, MI, May 2025 (two performances)
Small Ensemble (2-7 Musicians):
rats, snakes, weasels (2025), for string quartet, ca. 7 minutes
Written for and premiered by The Rhythm Method as part of the Lake George Music Festival in Lake George, NY, June 2025
sketch, scribble, scrawl (2025), for clarinet, violin, and marimba, ca. 9. minutes
Written for and premiered by the Ascendant Trio in Ann Arbor, MI, April 2025.
Subsequent performances by the Ascendant Trio in Ann Arbor, MI, April 2025 (two performances)
introvert language (2024), for viola and piano, ca. 8 minutes
Written for the Suncoast Composer Fellowship Program. Premiered by Jeremy Keinbaum, viola, and Baron Fenwick, piano, in Sarasota, FL, August 2024
Subsequent performances include Michael Hall, viola, and Shi-An Costello, piano, Heidelberg University New Music Festival, Tiffin, OH (upcoming)
wrong side of the street (2024), for soprano saxophone, bassoon, percussion, and piano, ca. 9 minutes
Written for and premiered by \newline in Ann Arbor, MI, April 2024
splash, splatter, spill (2024) for percussion duo, ca. 13 minutes
Written for and premiered by Xin Yi Chong and James Koo in Ann Arbor, MI, April 2024
after hours (2023), for oboe ensemble, ca. 9 minutes
Commissioned by Jillian Kouzel. Premiered by the Illinois State University Oboe Ensemble, the composer conducting, in Normal, IL, November 2023
Subsequent performances include University of Michigan Oboes, Ann Arbor, MI, November 2023
false light (2023), for string quartet, ca. 16 minutes
Written for and premiered by JACK Quartet as part of the JACK Studio Workshops in Mt. Vernon, NY, September 2023.
Subsequent performances include Concert Music Outreach Collective, Ann Arbor, MI, January 2025; and KIMM Quartet, Ann Arbor, MI, December 2023
embers, cinders, ash, for clarinet, violin, cello, and piano, ca. 12 minutes
Written for and premiered by Unheard-Of//Ensemble in Normal, IL, November 2022