ALL WORKS
All scores and recordings are available by request.
Orchestral and Large Ensemble
fragrances of something sweet (2025) for orchestra or chamber orchestra (ca. 6 minutes), written for the University of Michigan Philharmonia Orchestra
shuffle (2024) for symphonic band (ca. 8 minutes), commissioned by a consortium of twenty-four bands led by TJ Mack and the Illinois State University Symphonic Band
metaphors (2024) for chamber orchestra (ca. 5 minutes)
Vocal
on the interlocking of hands (2025) for solo soprano voice and small ensemble (ca. 17 minutes), written for the Fromm Foundation Composers Conference
cicadian rhythms (2025) for mezzo-soprano voice and string quartet (ca. 10 minutes), commissioned by New Music Chicago for the Ear Taxi New Music Festival
the remote hunger of droning things (2025) for baritone voice and piano (ca. 6 minutes), co-commissioned by the National Associaition of Teachers of Singing, Inc. and the Cincinnati Song Initiative
corner motel mercy (2024) for soprano voice and piano (ca. 5 minutes), written for the ‘between the lines’ initiative
Electronic & Multimedia
like a dream slowly forgotten (2025) for alto saxophone, electric guitar, percussion, and accordion with fixed media electronics (ca. 9 minutes), written for Hypercube
so far away (2025) for solo trombone and fixed media electronics (ca. 3 minutes), written for Mikayla Frank-Martin and New Music Mosaic
somethinglikeasillylittlelovesong (2025) for fixed media electronics and two dancers (ca. 6 minutes), written for PART
excentric kinetics (2025) for clarinet, violin, cello, and piano, with fixed media electronics (ca. 6 minutes), written for Unheard-Of//Ensemble
Small Ensemble
rats, snakes, wasps (2025) for string quartet (ca. 7 minutes), written for The Rhythm Method
sketch, scribble, scrawl (2024-25) for clarinet, violin, and marimba (ca. 9 minutes), written for the Ascendant Trio
gossip, whispers, and other drama (2023-24) for soprano and alto saxophones (ca. 7 minutes), commissioned by Lati2de
splash, splatter, spill (2023-24) for two improvising percussionists (ca. 13 minutes), written for Xin Yi Chong
wrong side of the street (2024) for soprano saxophone, bassoon, percussion, and piano (ca. 9 minutes), written for \newline
false light (2022-23) for string quartet (ca. 16 minutes), written for JACK Quartet
embers, cinders, ash (2022) for clarinet, violin, cello, and piano (ca. 12 minutes), written for Unheard-Of//Ensemble
Solo
shouting something vulgar (2024) for solo alto saxophone (ca. 7 minutes), written for Noah Stoker
introvert language (2024) for viola and piano (ca. 8 minutes), written for the Suncoast Composer Fellowship Program
the dark paradise (2021) for solo clarinet (ca. 9 minutes)
Upcoming Works
next to silence (2026) for soprano voice, violin, and fixed media electronics (ca. 8-10 minutes), commissioned by Matt Albert
soledad (2025-26) for tenor voice, cello, and piano (ca. 10 minutes), commissioned by the George Shirley Vocal Competition
new work (2026) for solo trombone and wind ensemble (ca. 5-10 minutes), commissioned by Dajuan Brooks
new work (2025) for solo alto saxophone (ca. 9 minutes), commissioned by Harry Xie